If the great bogeyman of art history is the commodity, his complicit mistress would no doubt be the prostitute. This mythical figure is frequently made the emblem of modern capitalist social relations ...
Paul Auster loved Philippe Petit, who, in 1974, glided between the Twin Towers on a tightrope. Paul was no daredevil and ...
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Evil Does Not Exist’ is a complex exploration of sensations that indulges in the withheld and sublimely ambiguous ...
An exhibition of the artist’s new work at Cubitt in London raises ethical questions about documenting intimate moments and memories There’s an intimacy to the idea of an archive – collections of film, ...
A show at Auto Italia in London contains an archive of Ryszard Kisiel ‘Filo’, one of the first LGBTQ+ magazines in Central and Eastern Europe ...
At [tart vienna], the self-taught artist privileges free and direct expression over conservation and legibility ...
Maz Murray’s new film, Principal Boy (2024), presented alongside Thigh Rise (2023) and a range of sets and props at Focal Point, raises a series of intriguing questions. Firstly, how audiences used to ...
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