The superb Intro: The Gift Recordings by Pulp makes its vinyl return, this time in a fetching blue – although there were only ...

The orchestra’s response to all this was generally good, and here Pappano coaxed, for the first time – but not the last – ...

However, there’s enough evidence on Silence Is Loud to suggest that Nia Archives could be that long-awaited artist – a ...

Tim Booth and co’s 18th is an album for both fans and newcomers, and a triumph over prejudice and anxiety James are a band ...

It comes as no surprise to learn that her co-writer and producer on Don’t Forget Me is Ian Fitchuk, who co-produced Kacey ...

Dire Straits were huge in the 1980s. Their 1985 album, Brothers In Arms, exemplified the CD generation, becoming the first ...

Mostly, Love In Constant Spectacles is one of Weaver’s most successful albums – it may not have the instant ‘wow factor’ of ...

It’s an album with everything: scrappy knockabout rocky anthems and big, enormous ballads with quasi-classical piano that ...

It’s attention well worth paying too. The opening track is relatively placid – a jazzy piano tone lays the bed for lead ...

Acclaimed sitarist continues to push the boundaries of her instrument, providing moments of bejewelled drama and sensory ...

Scherzo Ensemble and Orpheus Sinfonia bring sheer joy to a mixed media production of the popular oratorio.

Damiano Michieletto’s new production of Bizet’s most popular opera shows potential, despite some obvious first night jitters.