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Slate Digital Virtual Buss Compressors Software Download
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ShareSlate Digital Virtual Buss Compressors Software Download
Virtual Buss Compressors comprises three unique sounding, 100% analog modeled dynamic processors that are ideal for program material. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.All of …
Virtual Buss Compressors comprises three unique sounding, 100% analog modeled dynamic processors that are ideal for program material. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.All of the compressors in the VBC bundle have a variable hi-pass filter AND a mix knob that can be used to control the ratio/percentage of the compressed signal to the dry signal. Each compressor can be used in series, and the series rearranged by dragging and dropping. Compressing a mix with each one doing a very little amount can sound amazing, and using the compressors in series within the Rack' also makes it very easy to A/B/C the compressors on source material. Finally, VBC will come with stock presets made by some of the industry's top mixers.FG-GREYThe FG-GREY starts off with a very precise model of the classic British "4000 series console compressor". It has a way of being able to tighten, glue, and 'gel' the components of the mix in ways that can go from fairly transparent in auto release mode, to very aggressive in manual mode. Slate Digital took the classic British discrete transformer and added some of the characteristics to the signal path. This does something very amazing to the clarity of the midrange and bottom end. The hardware unit tends to start sucking out too much bottom as you start to compress more. It can also get slightly 'choked' in the mids. These are subtle issues but the transformer stage keeps the bottom big and round and the midrange more open, while still retaining the classic sound of the hardware unit. You'll notice especially when you heavily compress with the FG-GREY, there is a bit less of a drop in the bottom and the rich mids will still be nice and present.FG-REDThis compressor is based on the classic RED faced compressor3 Unique 100% Analog Modeled Buss CompressorsPrecisely emulated circuit paths including amplifiers and transformersTons of classic presets used by top mix engineersAvailable as a rack or individual plugins2 Activations per user
Description
Virtual Buss Compressors comprises three unique sounding, 100% analog modeled dynamic processors that are ideal for program material. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.All of the compressors in the VBC bundle have a variable hi-pass filter AND a mix knob that can be used to control the ratio/percentage of the compressed signal to the dry signal. Each compressor can be used in series, and the series rearranged by dragging and dropping. Compressing a mix with each one doing a very little amount can sound amazing, and using the compressors in series within the Rack' also makes it very easy to A/B/C the compressors on source material. Finally, VBC will come with stock presets made by some of the industry's top mixers.FG-GREYThe FG-GREY starts off with a very precise model of the classic British "4000 series console compressor". It has a way of being able to tighten, glue, and 'gel' the components of the mix in ways that can go from fairly transparent in auto release mode, to very aggressive in manual mode. Slate Digital took the classic British discrete transformer and added some of the characteristics to the signal path. This does something very amazing to the clarity of the midrange and bottom end. The hardware unit tends to start sucking out too much bottom as you start to compress more. It can also get slightly 'choked' in the mids. These are subtle issues but the transformer stage keeps the bottom big and round and the midrange more open, while still retaining the classic sound of the hardware unit. You'll notice especially when you heavily compress with the FG-GREY, there is a bit less of a drop in the bottom and the rich mids will still be nice and present.FG-REDThis compressor is based on the classic RED faced compressor3 Unique 100% Analog Modeled Buss CompressorsPrecisely emulated circuit paths including amplifiers and transformersTons of classic presets used by top mix engineersAvailable as a rack or individual plugins2 Activations per user